Trauma,
Good topic.
Here are three that have always struck me. None of them make light reading.
Lyrics 1 + 2 are by Leonard Cohen. I understand the first is an adaption of a letter to a former friend (whose friendship was lost due to an affair between the writer and the wife of the friend.) The second lyric is Cohen's bittersweet ode to Janis Joplin who had died the year before the song was penned. It also has a beautifully simple melody.
Lyric no# 3 is by Bruce Springsteen, the title track from his album "The Ghost of Tom Joad." The characters of 'Preacher' and 'Tom Joad' are references to characters in the novel "The Grapes of Wrath" by John Steinbeck. The song's final verse (before the last chorus) is adapted directly from the pages of Steinbeck's great novel about the tragedy of the depression of the 1930s.
Famous Blue Raincoat – Leonard Cohen
It's four in the morning, the end of December
I'm writing you now just to see if you're better
New York is cold, but I like where I'm living
There's music on Clinton Street all through the evening.
I hear that you're building your little house deep in the desert
You're living for nothing now, I hope you're keeping some kind of record
Yes, and Jane came by with a lock of your hair
She said that you gave it to her
That night that you planned to go clear
Did you ever go clear?
Ah, the last time we saw you you looked so much older
Your famous blue raincoat was torn at the shoulder
You'd been to the station to meet every train
And you came home without Lili Marlene
And you treated my woman to a flake of your life
And when she came back she was nobody's wife.
Well I see you there with the rose in your teeth
One more thin gypsy thief
Well I see Jane's awake --
She sends her regards.
And what can I tell you my brother, my killer
What can I possibly say?
I guess that I miss you, I guess I forgive you
I'm glad you stood in my way.
If you ever come by here, for Jane or for me
Your enemy is sleeping, and his woman is free.
Yes, and thanks, for the trouble you took from her eyes
I thought it was there for good so I never tried.
And Jane came by with a lock of your hair
She said that you gave it to her
That night that you planned to go clear --
Sincerely, L. Cohen
Chelsea Hotel No#2 – Leonard Cohen
I remember you well in the Chelsea Hotel,
you were talking so brave and so sweet,
giving me head on the unmade bed,
while the limousines wait in the street.
Those were the reasons and that was New York,
we were running for the money and the flesh.
And that was called love for the workers in song
probably still is for those of them left.
Ah but you got away, didn't you babe,
you just turned your back on the crowd,
you got away, I never once heard you say,
I need you, I don't need you,
I need you, I don't need you
and all of that jiving around.
I remember you well in the Chelsea Hotel
you were famous, your heart was a legend.
You told me again you preferred handsome men
but for me you would make an exception.
And clenching your fist for the ones like us
who are oppressed by the figures of beauty,
you fixed yourself, you said, Well never mind,
we are ugly but we have the music.
And then you got away, didn't you babe,
you just turned your back on the crowd,
you got away, I never once heard you say,
I need you, I don't need you,
I need you, I don't need you
and all of that jiving around.
I don't mean to suggest that I loved you the best,
I can't keep track of each fallen robin.
I remember you well in the Chelsea Hotel,
that's all, I don't even think of you that often.
The Ghost of Tom Joad - Bruce Springsteen
Men walkin' long the railroad tracks
Goin' someplace there's no going back
Highway patrol choppers comin' up over the ridge
Hot soup on a campfire under the bridge
Shelter line stretchin' round the corner
Welcome to the new world order
Families sleepin' in their cars in the Southwest
No home no job no peace no rest
The highway is alive tonight
But nobody's kiddin' nobody about where it goes
I'm sittin' down here in the campfire light
Searchin' for the ghost of Tom Joad
He pulls a prayer book out of his sleeping bag
Preacher lights up a butt and takes a drag
Waitin for when the last shall be first and the first shall be last
In a cardboard box 'neath the underpass
Got a one-way ticket to the promised land
You got a hole in your belly and a gun in your hand
Sleeping on a pillow of solid rock
Bathin' in the city aqueduct
The highway is alive tonight
Where it's headed everybody knows
I'm sittin' down here in the campfire light
Waitin' on the ghost of Tom Joad
Now Tom said "Mom wherever there's a cop beatin' a guy
Wherever a newborn baby cries
Where there's a fight 'gainst the blood and hatred in the air
Look for me Mom I'll be there
Wherever there's somebody fightin'for a place to stand
Or decent job or a helpin' hand
Wherever somebody's strugglin' to be free
Look in their eyes Mom you'll see me."
Well the highway is alive tonight
But nobody's kiddin' nobody about where it goes
I'm sittin down here in the campgire light
With the ghost of old Tom Joad